Red Pure LI a
Alpine spruce / Malaysian blackwood
- First-class acoustic guitar made for the most discerning guitarists
- Premium-quality tonewoods
- Proprietary design features and production technologies, including individual voicing of the top and back soundboard, revolutionary Furch CNR System® Active neck joint and resonance enhancing Full-Pore Satin Finish
- Luxurious appearance featuring a host of appointments made from redheart and koa
- Heavy-duty Hiscox hard shell case
Other models in this series
Red Pure LI a
The Red Series is synonymous with the highest class of our solid wood guitars, which are truly uncompromising in terms of the materials and components. The Red Pure LI is made of premium Alpine spruce used on the top soundboard and Malaysian blackwood on the back and sides. Both soundboards undergo our innovative individual voicing process, which in conjunction with the material used gives the instrument a beautiful, versatile tone.
The beauty of the tonewood is underlined by a resonance enhancing Full-Pore Satin Finish and a number of decorative details, led by a redheart purfling and koa rosette, binding and position markers. The guitar comes enclosed in a highly durable, thermally insulated Hiscox case.
Discover Your True Sound With Furch’s Voicing Process
Our unique voicing process fine-tunes each top and back soundboard to perfection, resulting in guitars that deliver crystal-clear, harmonically rich tone. This precise adjustment ensures a balanced and dynamic sound across the entire tonal range, allowing your music to truly come alive.
Make Every Note Shine With Furch’s Resonance Enhancing Finish
Every Furch guitar features our uniquely developed ultra-thin lacquer that not only protects, but also enhances your instrument’s natural resonance, creating a richer, fuller sound that brings out the true character of each note. Additionally, it highlights the wood’s natural beauty, ensuring your Furch guitar is as visually stunning as it sounds.
Beauty of exotic wood
The luxurious look of the Red Pure LI is further enhanced by a combination of fretboard, bridge, and headstock overlay made from figured ziricote. The body, headstock, and fretboard of the guitar are bound with koa accented by a contrasting white line and complemented by a redheart body purfling. In addition to the binding, we also use koa for the rosette and tail decoration.
Built to Play, Engineered to Last With Furch CNR System® Active
The Furch CNR System® Active neck design takes our original CNR System® to the next level, offering unparalleled stability and precision for players who demand consistent performance. This innovative design adapts seamlessly to changes in humidity while maintaining perfect playability, ensuring your guitar feels and plays the way you want it to—every time you pick it up. Featuring a dual-action truss rod encased in a rigid carbon structure, the system is further enhanced by a solid-wood expansion element that automatically adjusts the neck angle to maintain consistent string action over time. It minimizes the need for costly, time-consuming neck resets and eliminates maintenance concerns, giving you the freedom to adjust your setup quickly and easily and allowing you to immerse yourself fully in the joy of playing—because that’s what truly matters.
Unconventional position markers
White pearl side position markers, combined with unconventional rectangular inlays made from koa, improve fretboard orientation and enhance the guitar’s exclusive appearance.
Excellent machine heads
The Red Pure LI has an excellent tuning stability courtesy of Gotoh 510 Silver Patina machine heads with polished ebony buttons and a highly precise 1:21 gear ratio.
High-rigidity Hiscox case
Maximum protection during transport is provided by a high-rigidity Hiscox case with polyurethane insulating foam that shields the instrument from changes in external climatic conditions.
Features
Body
| Available body shapes | D, Dc, G, Gc, OM, OMc, |
| Neck-to-body joint | 14th fret |
| Solid top - grade | Alpine spruce - AAA |
| Solid back and sides - grade | Malaysian blackwood |
| Binding | Hawaiian koa with white contrast line |
| Purfling | Redheart with black & white contrast line |
| Tail decoration | Wedge of koa with contrasting lines |
| Rosette | Solid Hawaiian koa ring with black & white line |
| Bridge | Figured ziricote |
| Bridge pins | Ebony with pearl eye |
| Saddle | TUSQ fully compensated |
| String spacing at the bridge | 2 3/16 |
| Top finish | Full-Pore Satin Finish |
| Back and sides finish | Full-Pore Satin Finish |
Neck
| Nut width | 1 3/4 |
| Available nut width | 1 11/16 and 1 7/8 |
| Neck-to-body joint | CNR System® Active with automatic string action regulation |
| Neck reinforcement | Carbon reinforced truss rod with two-way adjustment |
| Neck profile | Furch soft V |
| Scale length | 25 9/16 |
| Fretboard material | Figured ziricote |
| Fretboard radius | 15 3/4 |
| Fretboard front inlay | Hawaiian koa square inlays |
| Fretboard side inlay | White pearl linear position marks |
| Fret finish | Polished frets for higher playing comfort |
| Headstock overlay | Figured ziricote |
| Fretboard and headstock binding | Hawaiian koa with white contrast line |
| Neck material | African mahogany |
| Machine heads | Gotoh 510 Silver patina - gear ratio 1:21 |
| Machine head buttons | Polished ebony |
| Nut | TUSQ |
| String spacing at the nut (1 3/4) | 1 1/2 |
| String spacing at the nut (1 11/16) | 1 7/16 |
| String spacing at the nut (1 7/8) | 1 9/16 |
| Strings | D'Addario XS PhBr 12-53 |
| Neck finish | Full-Pore Smooth-Slide Satin Finish |
| Headstock finish | Full-Pore Satin Finish |
