Yellow Plus CP
Western red cedar / Padauk
- Acoustic guitar made from high-quality solid woods.
- Proprietary design features and production technologies, including unique soundboard voicing, revolutionary Furch CNR System® neck joint and resonance enhancing Full-Pore High-Gloss Finish.
- Beautiful amber look featuring a cedar top and a host of appointments made from koa, abalone and mother-of-pearl.
- Heavy-duty Hiscox hardshell case.
Carbon footprint of Yellow Plus CP
Before 38.0 kg
After 2020 15.2 kg
The Yellow Plus CP has a soundboard made from high-grade western red cedar and back and sides from high-quality padauk. Combined with exclusive koa body binding, white pearl thin Eclipse circles, and abalone rosette inlay, the premium tonewoods used for the Yellow Plus CP make for fine sounding instrument with stunning look. Cedar produces a warm and round timbre that translates into a very balanced sound that is suitable for versatile multipurpose instrument.
Unique voicing process
The premium nature of the Yellow Plus CP is underscored by the fact that the soundboard is individually tuned using the voicing process, which enhances the guitar’s tonal properties to the highest level. Thanks to that, the Yellow Plus CP has a crystalline clear, harmonically rich, balanced, and highly dynamic sound across the entire tonal spectrum.
Resonance enhancing finish
The instrument is protected by our proprietary Full-Pore High-Gloss Finish, which has been developed to enhance the guitar’s tonal qualities. The finish consists of an ultrathin layer of highly resistant lacquer that provides excellent surface protection and accentuates the structure of the wood at the same time.
Built to Play, Built to Last With Furch’s CNR System®
The Furch CNR System® neck design offers unmatched stability and precision. With a dual-action truss rod encased in a rigid carbon structure, it allows for smooth and fine adjustments, ensuring optimal playability and a setup that lasts, so your guitar always performs at its best.
- A fully adjustable dual-action truss rod for highly precise adjustment of the neck bow in both the convex and concave directions.
- A highly rigid carbon casing that maintains the neck in the set position over a period much longer than is the case with standard neck joint designs and, at the same time, facilitates a gradual bow in the neck, a factor of essential importance for playability.
- A casting made of special alloy located inside the neck heel that ensures a stable position of the neck and its angle vis-à-vis the body.
Amber appointments
The soundboard of the Yellow Plus CP owes its beautiful amber look to a combination of purfling featuring five black and white contrasting lines and koa binding with a white contrasting line. The soundhole is adorned by a rosette featuring a double ring with green abalone inlays and a black and white line.
White contrasting line
The contrast between the black ebony fingerboard and the red African mahogany neck is enhanced by a thin white line.
Pearl position markers
White pearl side position dots combined with Eclipse fingerboard inlays, featuring a thin white pearl contour line, improve fingerboard orientation and enhance the guitar’s beautiful appearance.
Transparent protection
The soundboard of the Yellow Plus CP is protected by a transparent pickguard that allows the natural beauty of the wood to shine through. The pickguard is designed to have no effect on the tonal qualities of the soundboard.
Excellent machine heads
The guitar has an excellent tuning stability courtesy of Gotoh 510 Silver Patina machine heads with polished ebony and a highly precise 1:21 gear ratio.
High-rigidity Hiscox case
Maximum protection during transport is provided by a high-rigidity Hiscox case with polyurethane insulating foam that shields the instrument from changes in external climatic conditions.
Features
Body
| Available body shapes | D, G, OM |
| Neck-to-body joint | 14th fret |
| Solid top - grade | Western red cedar - AAA |
| Solid back and sides - grade | Padauk |
| Binding | Koa with white line |
| Purfling | Five black and white lines |
| Rosette | Abalone double ring with black and white line |
| Bridge | Ebony |
| Bridge pins | Ebony with pearl eye |
| Saddle | TUSQ fully compensated |
| Bridge string spacing | 2 3/16 |
| Top finish | Full-Pore High-Gloss Finish |
| Back and sides finish | Full-Pore High-Gloss Finish |
| Pickguard | Anti-Scratch - transparent |
Neck
| Nut width | 1 3/4 |
| Available nut width | 1 11/16 and 1 7/8 |
| Neck reinforcement | CNR System with dual-action adjustment |
| Neck profile | Furch Soft V |
| Scale length | 25 9/16 |
| Fingerboard material | Ebony |
| Fingerboard radius | 15 3/4 |
| Fingerboard front inlay | Pearl Eclipse inlays |
| Fingerboard side inlay | Pearl position dots |
| Fret finish | Polished |
| Headstock overlay | Ebony |
| Fingerboard and headstock binding | White line |
| Neck material | African mahogany |
| Machine heads | Gotoh 510 Silver Patina - gear ratio 1:21 |
| Machine head buttons | Polished ebony |
| Zero fret | TUSQ |
| Nut string spacing (1 3/4) | 1 1/2 |
| Nut string spacing (1 11/16) | 1 7/16 |
| Nut string spacing (1 7/8) | 1 9/16 |
| Strings | Elixir Ph-Br Nanoweb 12-53 |
| Neck finish | Full-Pore Smooth-Slide Satin Finish with antibacterial additive |
| Headstock finish | Full-Pore High-Gloss Finish |
